The short answer: the standard deliverables
For a typical logo project, the client should receive the logo in every lockup and colourway they will need, in both vector and raster formats, plus the basic facts about colour and type.
| Deliverable | What it means | Why the client needs it |
|---|---|---|
| Lockups | Primary (often horizontal), secondary (stacked or compact) and the icon on its own | Different spaces: website header, square social avatar, favicon |
| Colourways | Full colour, black, white (reversed) and one-colour | Light and dark backgrounds, one-ink print, photography |
| Vector files | SVG and PDF (EPS on request) | Printers, sign makers and web developers scale them to any size |
| Raster files | Transparent PNG at a few widths, plus JPG on a solid background | Slides, documents, social tools and email |
| Colour values | HEX, RGB, CMYK and Pantone where chosen | So every supplier matches the same colours |
| Typography | Font names, weights and where to license them | So documents and websites use the right type |
| Usage notes | A one-page sheet or short guide: clear space, minimum size, don'ts | So the logo is used consistently after you hand it over |
Our guide to logo files for clients covers formats and folder structure in detail. This page is about scope: what belongs in the deal.
How the deliverables change with project size
| Logo only | Brand identity | Rebrand | |
|---|---|---|---|
| Lockups × colourways | Yes | Yes | Yes |
| SVG, PDF, PNG, JPG | Yes | Yes | Yes |
| Colour values and font names | Yes | Yes | Yes |
| Favicons and app icons | Often | Yes | Yes |
| Brand guidelines document | A one-page sheet | Yes, multi-page | Yes, plus a migration note |
| Social profile and cover images | Sometimes | Yes | Yes |
| Stationery, email signature, templates | No | Often | Often |
| Design tokens or CSS colour files | No | Sometimes | For digital-first brands |
"Often" and "sometimes" are exactly the items that cause disagreements at handoff. Whatever you decide, write it into the proposal so both sides know what is coming.
What is usually extra (and fair to charge for)
- Editable source files (Illustrator, Figma, Affinity). These let the client change the logo, so many designers price them separately or hand them over only with a full rights transfer.
- Extended guidelines. Imagery, tone of voice, layout grids and templates go beyond a logo project.
- Extra formats on request, such as EPS for an old sign-cutting setup, embroidery files or animated logos.
- Applications: business cards, signage, packaging, slide templates, merchandise.
- Later changes: new colourways, a new lockup or a re-export after the project closes.
None of these are wrong to include for free. They just need to be decided before the project starts, not argued about after the invoice.
Files are not the same as rights
Delivering the files and transferring the rights are two separate things. A client can hold every file and still not own the copyright if the contract doesn't say so. Spell out in your contract:
- whether copyright is assigned to the client or licensed to them, and when (usually on final payment);
- whether you may show the work in your portfolio;
- who is responsible for font licences and any stock elements. Most font licences don't allow you to pass the font files on, so tell the client which fonts to buy.
This is general information, not legal advice. For anything high-value, have a lawyer review the contract.
Deliverables wording you can adapt
A deliverables clause removes most handoff surprises. Adapt this to your project:
Final deliverables (on receipt of final payment):
- Logo in 3 lockups: primary, secondary, icon
- Each lockup in 4 colourways: full colour, black, white, one-colour
- Formats: SVG, PDF (vector), PNG at 500/1000/2000 px, JPG
- Favicon set (16, 32, 180, 192, 512 px + SVG)
- Brand guidelines (PDF): logo usage, clear space, minimum sizes,
colour values (HEX/RGB/CMYK/Pantone), typography
- Editable source files: [included / available for $X]
- Delivered as one organised ZIP via download link
Listing file counts and formats feels pedantic, but it is what lets both sides agree the project is finished.
If you are the client: what to ask for
- Vector filesSVG and PDF of every version. Without them, every printer will ask you for "the vector".
- A white version with real cut-outsFor dark backgrounds and photos. Check it on a dark slide.
- The icon on its ownFor your favicon, app icon and social profile picture.
- Colour codes in one placeHEX for screens, CMYK and Pantone for print.
- Font names and licencesSo your team and your web developer use the same type.
- A short usage guideClear space, minimum size and what not to do.
- Clarity on rightsDo you own the copyright, or have a licence? It should be in writing.
Frequently asked questions
What files should a logo designer give you?
Every lockup (primary, secondary, icon) in every colourway (full colour, black, white, one-colour), as SVG and PDF vectors plus transparent PNGs and a JPG. Also the colour values, the font names and a short usage guide.
Should a logo designer provide the AI file?
It depends on the agreement. Editable source files let the client change the logo, so many designers include them only with a full rights transfer or charge for them separately. Agree it in writing before the project starts.
Do I get the copyright to my logo?
Only if the contract assigns it to you. Having the files does not by itself transfer copyright. Most contracts assign it, or grant a licence, once the final invoice is paid.
Is a brand guidelines document included with a logo?
For a logo-only project, a one-page usage sheet is common. A full multi-page guidelines document is normally part of a brand identity project. Check the proposal.
How many logo files should I receive?
Three lockups in four colourways, in SVG, PDF, a few PNG sizes and JPG, is around 70 logo files. With favicons, social images and colour files, a complete package often passes 100 files, which is why a clear folder structure matters.
What format is best for printing a logo?
A vector PDF works with almost every printer. Some sign makers and older cutting machines still ask for EPS, which your designer can export from the source file.